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Her debut solo album, No One Is Too Small To Make A Difference (2025), is a 40-minute concept album for solo violin and electronics — inspired by the works of environmental activists Joanna Macy, Greta Thunberg, and Thích Nhất Hạnh. It explores the climate crisis as both a spiritual and ecological reckoning, guiding listeners through grief, beauty and active hope.
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As a Future Wales Fellow (2023–25), Simmy explored the theme “How can art aid connection to nature?” Her creative enquiry was exploring how music can be used to create a space of reverence for nature, this journey deepened her own relationship with the Welsh landscape, while inviting others to do the same. She co-led a series of seasonal workshops and events with storyteller and wisdom keeper Angharad Wynne, who served as her mentor and collaborator. Together, they created site-specific ceremonies guided by the Celtic calendar — including a Lammas pilgrimage in the mountains of Y Bannau Brycheiniog, and an Imbolc gathering at Dinefwr that honoured fire, light, and seasonal renewal. Music became the vessel for attunement, re-enchantment, and communal reflection.
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Her touring project Regenerate: Seasons for Change, born from a Sky Arts commission of a re-imagining of Vivaldi’s Four Seasons, saw Simmy performing her original works and arrangements with musicians from Sinfonia Cymru, Will Pound, and Delia Stevens. Through concerts and community-based nature connection sessions, she helped audiences reimagine their relationship with the seasons — blending movement, sound and story into a collective act of climate imagination.
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Simmy is also a graduate of Call of the Wild, a year-long nature leadership training in outdoor education and environmental facilitation, and a current participant in Dadeni, a three-year initiatory “spirit school” rooted in Brythonic mythology, ceremony and land-based spiritual practice.
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She regularly shares her music and voice at a variety of events and has performed at the Oxford Real Farming Conference, Singing With Nightingales with Sam Lee, and more recently, the St Ethelburga’s Centre for Peace and Reconciliation Spiritual Ecology Festival, where her solo sets become spaces for reflection, connection, and belonging.
Whether on stage, in the woods, round a fire, or up the hills in her van, Simmy uses music as a form of listening, a call to reverence, and a return to the wild edges of our souls.
Simmy Singh is a violinist, composer and Earth activist whose work dissolves the boundaries between classical, folk, electronic, and improvisational sound. Born in Wales to Indian and English parents, her creative voice is rooted in a deep connection to land, lineage and the sacred. Through her music, she invites deep listening, ritual connection, and ecological remembering; and she explores how beauty, grief and action can coexist in service of healing both people and planet.
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Her artistry has evolved from the concert hall to the forest floor — where performance becomes ritual, remembrance and offering. Simmy is a co-founder of the acclaimed Manchester Collective, and has performed with ensembles such as the London Contemporary Orchestra, Manchester Camerata, and Sinfonia Cymru. As a collaborator and session musician, she works regularly with leading artists across jazz, folk and experimental music, including Abel Selaocoe, Bill Laurance, Portico Quartet, Alfa Mist, and Vega Trails.
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A prolific composer, her works include:
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“Lament for the Earth” (arranged for the City of Birmingham Symphony Orchestra)
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“Close Your Eyes and See” (arranged and performed with BBC Scottish Symphony Orchestra for BBC Sounds)
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“Whispers of the Wind” – for violin, viola and shruti box, commissioned by Cowbridge Music Festival and performed by Sinfonia Cymru; due to air on BBC Radio 3
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“Interbeing” - a digital opera commission for Music Theatre Wales, in collaboration with dramaturg Myah Jeffers.